May at IMOO: Mark Molnar // Siach Hasedeh

May 5th, 2013: #77 – Mark Molnar

  • Mark Molnar – cello

Mark Molnar has played strings and electronics with Generator and Kingdom Shore ( “a kind of ‘Being John Malkovich’ exercise put onto disc” Ottawa Citizen). He has played erhu and rebab in Gamelan Semara Winangun, and has composed and recorded music for numerous theatre and film productions.

http://blackbough.ca/

Click here to RSVP on facebook and let us know you’re coming to concert #77.

May 19th, 2013: #78 – Siach HaSadeh

  • Yoni Kaston – Clarinet
  • Joel Kerr – Double bass
  • Daniel Fuchs – violin
  • Gaël Huard – cello
  • Jason Rosenblatt – harmonica

Siach HaSadeh references the play on words derived by the Jewish Sages, the word roots can convey both “plants of the field,” and “meditation in the field.” It is taught that every plant has its own unique song that it sings, and that those songs are gathered to make holy music. That prayer and meditation are essential components in creation, and that music, and wordless niggun is a means of expressing that which words cannot – awakening the soul directly without language and its inherent barriers and limitations.

http://www.cardboardstudios.ca/siach-hasadeh/

Click here to RSVP on facebook and let us know you’re coming to concert #78.

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April at IMOO: Concerts 74, 75, & 76

Phil AlbertApril 7th, 2013: #74 – Phil Albert Group

  • Phil Albert – bass
  • Ryan Butler – guitar
  • Dave Chan – drums

Double bass and Electric Bass player Phill Albert was born and raised on Saltspring Island, British Columbia; a small town with a deep artistic community of hippies and draft dodgers. Relocating to Toronto in 2011, he has worked in many musical styles from traditional swing based improvisation, to contemporary avant-garde. In 2011 he switched to 5ths tuning studying with Andrew Downing. In 2012, Phill attended the Banff International workshop in Jazz and Creative music where he met many of his musical soulmates. In 2011 Phill released his first original jazz record as a leader titled “In the Big World” featuring Buff Allen, Tony Wilson, and Brent Jarvis. In 2013, Phill released an EP, “Perspective Suite” based on the life and times of Emma Davis, WWII war bride and maternal grandmother.

Click here to RSVP on facebook and let us know you’re coming to concert #74.

April 21st, 2013: #75 - Adam Saikaley Quartet

  • Adam Saikaley – Rhodes, electronics
  • Craig Pedersen – trumpet, electronics
  • Rolf Klausener – bass
  • Pat Johnson – drums

The Adam Saikaley Quartet plays originally composed Juke Jazz. The tunes are smooth and atmospheric, while the electronic rhythms are frenetic and ankle breaking.

https://soundcloud.com/adamsaikaley

Click here to RSVP on facebook and let us know you’re coming to concert #75

April 28th, 2013: #76 – Duo Mayr Tiefenbacher

  • Engel Mayr – guitar
  • Mike Tiefenbacher – piano/keyboards

Acoustic guitar and piano, improvisation and composition, consonance and dissonance, contrasts and similarities, all of this is to find in this project. After many years of cooperation in various projects, Engel Mayr and Mike Tiefenbacher decided to express their creativity in a very pure form. The Concept is that not only the improvisations, but the compositions are created in joint work and to bring the nuances and possibilities of the acoustic duo music to the foreground.

“Mike Tiefenbacher and Engel Mayr with their CD provide the evidence that exciting paths in jazz can still be followed, and that, in this genre, still something new can be discovered.” - Michael Ternai - musicaustria.at

“The musical chameleon Engel Mayr, he plays with the Hallucination Company, Russkaja and others, and pianist Mike Tiefenbacher (Billy Cobham, GHO Orchestra) offer a wide range of sounds. Their playing seems to be very quiet and yet sizzling and full of spirits. “Christian Bakonyi – Concerto Magazine 

“Intelligent music for intelligent listeners.” - Leonid Auskern – Jazz square Belarus

Click here to RSVP on facebook and let us know you’re coming to concert #76.

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March at IMOO: Concerts 72 & 73

eguiluzdiamantakiou à l' oeuf 2March 17th, 2013: #72 – Eguiluz/Diamantakiou DUO

  • Geraldine Eguiluz – voice
  • Stéphane Diamantakiou – contrebasse.

Vocalist Géraldine Eguiluz and bassist Stéphane Diamantakiou, is a Jazz Duo, based in Montréal. They will offer a concert all in intimity and bareness,  as fragil as  powerful in their freely and singular approach. Pieces that you might recognize _or not_ as colored travels, fugues and counterpoint signed by Monk, Mingus, Bach, Ellington, Pascoal and many more…

www.geraldineeguiluz.com
www.lappelduvidemtl.bandcamp.com

Click here to RSVP on facebook and let us know you’re coming to concert #72.

March 24th, 2013: #73 – Riverrun

  • Tom Richards – keyboards
  • Peter Lutek – clarinet
  • Scott Peterson – bass and vocals
  • Jake Oelrichs – drums and xylophone

Riverrun is a quartet made up of some of Toronto’s strongest musical personalities. Their sound has been described as “electro-chamber-jazz” and “minimalist-avant-garde-pop”. Cinematic, delving and disciplined, Riverrun cuts across stylistic boundaries and goes deep into the moment.

In March of 2013, Riverrun takes to the road in celebration of their new release, Unravel. Recorded live in May 2012 and mixed/transformed by the visionary Peter Lutek, Unravel escapes the confines of conventional parameters in a torrent of adventurous and at times heart-breaking sound.

In a break with tradition, Unravel is being released on USB flash-drive, packaged alongside bonus material including video, images, text, and remixed audio prepared by Scott Peterson.

Click here to RSVP on facebook and let us know you’re coming to concert #73.

Riverrun

Concerts 70 & 71

February 10: #70 – Ryan Purchase’s Morphology of a Lover

6 musicians

      • Ryan Purchase – trombone
      • Joel Kerr – bass
      • Mike Essoudry – drums
      • Yoni Kaston – accordion, melodica, clarinet

with guests Raphael Weinroth-Browne, Mark Molnar, Craig Pedersen & Linsey Wellman

 

February 24: #71 – Ablyss

  • William Echard – guitars, keyboards, chimes, etc
  • Jason Fawcett – percussion, effects, etc
  • Lillian Studt – bass, keyboards, voice, etc

Ablyss is an experimental collective based in Ottawa, Ontario, Canada which strives to combine spontaneous musical ideas in an artistic and expressive way. Free improvisation is about exploration and communication. It is probably best to not over-explain it, because depending on who is participating, the outcome can be quite different.

 

Special Presentation – Tropismes: Pierre Hébert & Lori Freedman

Tropismes: A Live Performance by Pierre Hébert & Lori Freedman
Saturday, February 16th 2013, 7:30pm
Arts Court Theatre, 2nd floor, 2 Daly Avenue
Admission $5

tropismes009aIn Tropismes, Pierre Hébert creates and animates images of human faces in real time, using a combination of traditional drawing techniques and modern digital image mixing. Hébert’s animation captures the energy of the moment each time a new line is drawn, and simultaneously builds upon itself in layers, creating a dense accumulation as new elements are continually added and repeated in cycles. Tropismes is inspired by the work of French writer Nathalie Sarraute and explores the gray area between abstraction and representation, looking at how the human impulse to anthropomorphize the inanimate can transform an assembly of lines, colours and shapes into a ‘face.’ Hébert’s animations will be performed in response to live improvised music by renowned contemporary clarinetist Lori Freedman.

There will be a retrospective of Pierre Hébert’s work on Friday, Frebruary 15

Produced in partnership with Winterlude, the Downtown Rideau BIA, the OIAF (Ottawa International Animation Festival) and IMOO (Improvising Musicians of Ottawa/Outaouais)

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Concerts 67, 68 & 69

December 30, 2012: #67 – Oswald/Thomson/Stewart

  • John Oswald – saxophone
  • Scott Thomson – trombone
  • Jesse Stewart – drums

January 13th, 2013: #68 – Tena Palmer & Bob Vespaziani (rescheduled)

  • Tena Palmer – voice
  • Bob Vespaziani – drums/percussion

This concert was originally scheduled for the 6th, but has been rescheduled for the 13th (due to illness).

January 27th, 2013: #69 – Accordion Conspiracy

  • David Broscoe – saxophones, winds
  • Bernard Stepien – accordion

Accordion Conspiracy is an extension of Bernard Stepien and David Broscoe late ‘90s pure saxophones project then called Breaths. Saxophonist David Broscoe is a master in multi-phonics. Accordion happened to be Bernard Stepien`s first instrument initially in a classical and folkloric music context. Back in the ‘60s, Stepien heard Ornette Coleman and started to play in his harmolodic music style. After switching to saxophones, Stepien neglected Jazz accordion for a few decades but the emergence of French accordionist Richard Galliano and pianist Andrea Parker accordion experiments slowly restored his inteafter_an_accordion_competition in the '60srest in the accordion. In 2001, Stepien had the immense privilege to study with the great master Cecil Taylor and learn how to play with sounds rather than notes. The button accordion is actually the ideal instrument for producing sounds because it enables to cover large spans of notes and produce unusual harmonies with little efforts compared to a piano. Stepien plays a Hohner Morino accordion from the late ‘50s that has an additional quality to produce unusual sounds in that it has a left hand that is identical to the right hand and thus enables the same capabilities as a piano. Accordion Conspiracy really started as a result of the IMOO Orchestra in 2012 where Stepien was invited to play accordion. Thus, Stepien’s accordion music is in a way the result of peer pressure…

 

Concerts 65 & 66

December 2, 2012: #65 – Wellman/Stewart

  • Linsey Wellman – saxophone, bass clarinet, etc.
  • Jesse Stewart – drums

Click here to RSVP on facebook and let is know you’re coming to concert #65.

December 16, 2011: #40 – A Very Ayler Christmas!

Saxophonist Bernard Stepien and his little helpers introduce the music of Albert Ayler to that of the sweet baby Jesus. HO! HO! HO!

Discover the true meaning of Aylermas!

Here are some words from Bernard:

This year, we caught several people, usually non-musicians, who were convinced that Omega is the Alpha, Ghosts, Bells, and many others, all Albert Ayler compositions, were true Christmas Carols and even subconsciously started to sing them by the Christmas tree.

Well, for us, this almost sounds like mission accomplished.

The concept of mashing up Albert Ayler with Christmas Carols has over the last half dozen of years of concerts slowly wound up into a well accepted tradition. in fact, a few days ago, I realized that I was in deed a fool because after all of these efforts to find matches between the two repertoires and writing the mash-ups, taking fragments of the two repertoires, I found out that it was already there all the time. In fact, Albert Ayler did the reverse process. He took Christmas Carols and transfused them in his own composition by adding, enhancing, modifying them with his own musical concepts giving them a total new perspective. Upon the release of our first CD, critics were unanimous in saying that this was the CD Ayler would have loved to make. What we all missed is that not only the fact that it was already there but also that Albert Ayler was a marketing genius. By not saying anything to anybody, Ayler could play his music year round, especially at those fantastic European summer Jazz festivals. On our side, we are stuck playing our repertoire at Christmas time only. Well, at least we got a review right in the middle of the summer this year:

We all have our highlights; mine was the Bernard Stepien Orchestra’s holy morph of Albert Ayler and Christmas carols last December.”, Lawrence Joseph, CULT#MTL august 2012

Thus, don’t miss one of the following dates:

 

·         December 13th, 8 pm, at the Artel in Kingston

·         December 16th, 7 pm, at the UMI cafe, IMOO series

Click here to RSVP and let us know you’re coming to concert #66.

CKCU Funding Drive.

The Carleton University Radio Station, CKCU, is holding it’s annual funding drive, ending on Sunday November 4th.

A few of their shows/DJs have been big supporters of IMOO and IMOOfest, and we hope you can help them out by pledging.

We recommend supporting the following shows that have supported us in the last 2 years:

Rabble Without A Cause (Bernard Stepien)
In A Mellow Tone (Ron Sweetman)
No Wrong Notes (Chris Vanderwees)
Friday Morning Cartunes (John Westhaver)

Thanks to CKCU, all the DJs who have supported us and to YOU!

 

Concerts 63 & 64

November 4, 2012: #63 – CP’s BD

  • Craig Pedersen – bass
  • Michel Delage – drums
  • Mark Molnar – ‘cello/electronics
  • Ryan Purchase – trombone
  • Linsey Wellman – reeds

This show is in celebration of Craig Pedersen’s 29th birthday! Join this group of friends for some improvised fun!

Click here to RSVP on facebook and let us know you’re coming to concert #63.

November 18, 2012: Ellwood Epps solo and trio

  • Ellwood Epps – trumpet
  • Aaron Lumley – bass
  • Ivan Bamford – drums